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IT is not very necessary for those who work ores to return the litharge to lead, because they use litharge in place of lead ore and they use it the more willingly when it still contains some trace of silver. For the cupeling hearth can never be so well made or so cleanly operated that some little bit of silver does not remain in it, and some particle of it is also necessary by its very nature. But for one who has to use very much lead at one time, like someone who smelts sweepings or cements, or for someone who wishes to bring his operations to a conclusion and withdraw his investment, it is possible to have the lead again. In order to do this, the litharge is taken and ground. Cupeling hearths are washed in addition to being ground. Then these powders are made into a paste by wetting them with salt water, and they are made into large

Jan 1, 1942

IT is not necessary to enter into a long discussion of ordinary bells, because every master carpenter or blacksmith knows how to make those levers with a crossbar that are called storks. This is nothing other than a board that has a thick and heavy head and looks more like a dolphin than a bird. This has a long tail in the form of a handle so that it makes a more powerful lever. As can be seen in every bell tower and other place where there are bells, it has, crosswise above the point where the cannon of the bell is fitted and fastened in, an iron bar which is arched and which has its two ends turned horizontally. These are made round so that they may turn easily when they are held by two steel rings or in two metal grooves or on glass pillows. In this, the more the transverse rod is arched,

Jan 1, 1942

JUST as I have taught you to refine silver in a small way and to make assays, so now I wish to teach you how to make cupeling hearths in place of these little cupels when you have silver in large quantities. This is done in four ways, as I have seen, but all are alike in the end and differ very little one from the other. There are some who make use of a furnace with a vault built with bricks above the cupeling hearth. There are some others who use in place of this an iron hood like a large cover. There are some others who use only heavy dry sticks of oak or some other thick wood. Others have certain long plates of terra cotta that cover the whole hearth in three or four pieces; the two of these that adjoin have [56] a hole in the middle that leads exactly into the middle of the cupeling hearth, and through this they put in the material and the lead, according to the practice I shall describe.

Jan 1, 1942

YOU must know, my Messer Bernardino, that all things in this world made by art or produced by Nature are made only for their own specific purpose. If there should be any that perchance should fail therein, they would be useless and imperfect, and those are in a state of imperfection that should have it and have not yet arrived at it. Thus, in short, when you have dug out the ore with so much labor and extracted the metals, when you have made from copper (in addition to other works) guns that are ready for military service and have then put them on

Jan 1, 1942

AS I told you in the chapter on salts, saltpeter is a mixture composed of many substances extracted with fire- and water from arid and manurial soils, from that growth which exudes from new walls or from that loosened soil that is found in tombs or uninhabited caves where the rain cannot enter. It is my belief that it is engendered in these soils from an airy moisture that is drunk in and absorbed by the earthy dryness. Considering its effects, I do not know how to decide and say exactly what the nature of saltpeter is. The learned and very wise physicians find it salty and with a subtle sharpness both in taste and in their medical experiments. Considering its strong biting qualities, they decide to say that it is of a hot and dry nature; on the other hand when they see that it is engendered from the air and that when touched by fire it becomes inflammable and vaporous, and rises with a fearful impetus when mixed in powder for military guns, it manifestly shows itself to be of a hot and moist airy nature. And then when they see that it is shining and transparent with whiteness and is fusible in every fire in a manner corresponding to a thing of a watery nature, and since it. is heavy, it seems that it can be said to be watery in nature. To this is added the experience of touch and of the great cooling action which it has on water in summertime when wine is to be cooled, and since it crushes and breaks with but little pressure, it might be thought to be earthy in nature; especially when it is seen to change into a hard, white stone when burned with an equal amount of sulphur. Thus it seems that every one of the elemental qualities is predominant in it. Now the ancients called this, or a similar thing, nitrum. [150] Pliny, in Book XXXI of his Natural History, has said that it was a thing not much different from salt, that doctors do not seem to have yet known its nature, that it is found in various places, and that the best is found in Macedonia. But among the moderns and especially in our regions, it is not known today what it is that Pliny and other writers refer -to, since according to the aforesaid Pliny and other ancient writers it is a natural mineral. Some say that in place of, the natural kind the artificial will serve for the same medicinal purposes, since it has the same nature and is perhaps more powerful.

Jan 1, 1942

SMALL things are customarily moulded in two ways (unless they have undercut parts which hold them in the moulds); that is in clay, or with natural or which artificial earthern powder made in halves in either wooden boxes or bronze frames. This also depends on whether the object is larger or smaller. Now if you wish to mould with moist clay, you must grease your relief with oil or pig fat; apply a dusting of charcoal, ashes, or cuttlebone on it; or gild or silver it dry with gold, silver, or tin foil. Then, first make with moist and somewhat firm clay a plate as, thick and large as can conveniently hold your relief, and carefully set the latter halfway into this and let it dry. Then, greasing or dusting it again, make the other half. When both are well dried, take out your relief and at the top make its gates and vents. If plastering is needed, do it. Finally, bake the halves, fit them together, and tie them well, as you wish, using the procedure that I taught you in the discussion of brass. But if one has to make a large quantity of works of one kind, he should for the sake of convenience use the method with powder [120] because it is short and requires less time and expense. Therefore if you wish to do this, you need to have several pairs of bronze frames or wooden boxes, higher than half the relief that you wish to mould, and of convenient length. On a flat board always keep half of one of these frames full of powder that has been slightly moistened for moulding, as I told you, so that by pressing with the ends of the fingers and with the hand it holds together as well as possible. Level it off with a cutting tool and when leveled put a flat board over it and turn it over. Turn it on to a dusting of ashes so that it will not stick, dust it on the other side, and remove the excess by blowing it off Then mould the thing that you wish to mould, pressing it halfway in once or twice, always taking it out and putting it back again. Then the other frame is fitted in its place and filled with earth by pressing and squeezing it carefully. Then it is leveled off on the outside with a sharp tool as you did with the other part, and then one of the parts of the frames is lifted up with the point of a knife or some other tool and,

Jan 1, 1942

BECAUSE gold is a compound mineral praised by philosophers and all wise men as being of the highest perfection among all mixed minerals, and because of its great beauty, it is the universal opinion that it possesses extraordinary powers which are beneficial to man. For this reason it is the thing esteemed most highly in this world, after living creatures. Hence, I, too, in order to honor it, wish to begin by speaking of it now rather than of any of the other metals, and I wish in particular to tell you of its generation and of its most obvious qualities, for, although it is a metal very widely known and one that is desired and sought after by all kinds of persons, I know of few who take the trouble to find out what its substance or natural form may be. But, in order that you too may not be one of those who know it only by name or by the appearance that it shows outwardly to us, I tell you that its original and peculiar materials are none other than elemental sub¬stances, with the quantity and quality of each proportioned equally one to the other and very finely purified. From this union of elements which are of equal force there is born a pleasing and perfect elemental mixture,* and then after fermentation and decoction the elements finally become

Jan 1, 1942

I SHALL proceed in this chapter to tell you about lead. Because this metal is overabundant in wateriness, and also because it has its other substances in poor elemental mixture, it is highly impure. It is called an imperfect, leprous, and little-fixed metal, which it clearly shows itself to be because of the ease of liquefying it and because it is easily converted largely into a dross that is almost earthy and also because of the stain that it leaves when it rubs against anything. Nevertheless, when we consider its effects, we judge it to be a metal that we are greatly indebted to. Even though Nature in creating us has put into our souls such a thirst and desire

Jan 1, 1942

THERE are, as I have heard, varying opinions among men experienced in minerals as to whether silver has its own mineral [i.e., occurs native] or not. Mineralogical reasons and the authority of the majority persuade me that it has, not only because I have seen the natural material separate but also because I know that in mines of gold, copper, lead, and other metals pieces of pure metal are found without admixture, and I have heard that pieces of silver, gold, and copper have been found that had been reduced to their ultimate purity by natural causes. This is also confirmed by a German, Georgius Agricola, who says* that in a mine in Saxony a piece of metallic silver was found so large that the Duke who was prince and patron of the place had a whole dining table of square German style made from it without its being enlarged or worked on by any human artifice except for the tripod legs, and he often boasted that in this he surpassed the greatness of the Emperor. In truth I have never seen any metal except copper that was brought out from the mine pure and without any mineral, but I think that such a thing is indeed possible, since I believe in the greatness and power of Nature, who strives toward no other goal than perfection and purity. Indeed most of the minerals that I have seen have not been without admixture, not only of their earth but also of other metals, and this is more true of that which I have heard called silver than of any of the others. I except the silver that is mined in Schio in the region of Vicenza. These doubts, therefore, are not born without some shadow of apparent reason. As I told you above I believe that silver may have and does have its own mineral, for every substance that is converted into metal can exist pure by itself in its own species, as it also exists separately even though it be mixed with others, since it is seen that in each ore its metal is generated in a single body. Therefore it happens many times that whoever speaks of the ore of silver in one breath, without distinction, speaks of that of all the other metals, because there are few ores that are not mixed. But because the most noble things always have the prerogative of including in their name that of the others, where there is gold or silver the ores are not called

Jan 1, 1942

EVERY intelligent and practical investigator of minerals says that copper ore is found in various regions of the world and that among others Italy is very rich in it. But very little is mined there, perhaps because of a cowardly Italian avarice which has the power to make us lazy and indolent in carrying out those lofty and fine designs which should reasonably make us proceed swiftly, or perhaps because we are not prone to attempt extraordinary profit but only undertake those enterprises in which we are certain of a return on our investment. The reason for this might also be found in the meager possibility of success, which, since these things are not easily attempted because they are enormous undertakings of doubtful outcome, cools the spirit of men and in place of enthusiasm introduces the fear of loss, the fear of having to sacrifice not only time but also the work and money invested; then they think of the difficulty [II] of discovery, of the impossibility of full ownership, and of the necessity of excavating the mineral marrow from the hardest bones of the mountains with the brawn and efforts of men. To this is added the fear common to many that in attempting such things they may be called fools by certain ignorant and dissolute persons, and it seems better to them to be praised for becoming rich through usury and by many other infamous and illicit methods than to lay themselves open to the danger of censure from such as these. But there are those who deserve still greater censure, particularly princes and all rich and powerful persons, and theirs is an even more useless error than that of those who refrain for the above reasons. If the occasion and means present themselves for both attempting and continuing such a profitable and laudable affair as mining ores and if they hesitate solely because of cowardice or because they give ear to the bayings of ignorant hounds, or if because of their own willfulness they wish to remain prisoners of a detestable and ugly avarice, then this is their own loss.

Jan 1, 1942

A GREAT and incomparable speculation is whether the discovery of A compounding the powder used for guns came to its first inventor from the demons or by chance. With this invention he certainly far surpassed all men of every age from the creation of the world up to that day when it was announced by him-men so very learned, indeed like angels and of divine intellect, powerful in every knowledge and power. These had not only revived-arts and sciences and discovered new ones with their intellects, but they had information about all natural

Jan 1, 1942

I AM sure you know that it is necessary to draw the gold into wire in order to make gold cloth, gold embroidery, or gold filigree work. Just as it is beaten to form leaf for ornamenting pictures, so also can gold be drawn easily. The same is done with silver and tin, and I believe it could also be done with iron, copper, and brass. Although brass is not so

Jan 1, 1942

HAVING previously shown you how ores are found and mined, and also how they are prepared and disposed for smelting, and then how the blast furnaces and other furnaces are made for purging their earthiness, all this would be as nothing if I did not proceed to show you the method of smelting them. Therefore, in the present chapter I wish to show you how you must proceed in this very important operation, telling you all I have seen and also how much work with this kind of blast furnace I have done or directed. For this reason I tell you first to take by weight or measure the quantity of ore that you wish to smelt and, particularly if it is a kind that contains silver, break it into small pieces about the size of [52v] beans. If the ore had previously needed evaporation by fire or cleaning by washing, you will have had this done well and have had it properly prepared by a master sorter or others. A layer of this is arranged on a bed of planks, bricks, or flat stones in front of the blast furnace and its companion is placed on top, then a quarter part of galena or a third if you can obtain it. Then an equal part of crushed iron slag or slag from the same or different ore is added. These materials are spread in layers one above the other. When the blast furnace has been constructed as taught above, correct in all its parts, and is full of well-kindled burning charcoal, then fill it up with charcoal and admit water to the bellows machine. When you see that it is well kindled again from this wind and that the flames begin to come out forcefully on top, work it down with a little rake and fill it up again. Then the pannier is filled with new charcoal, the blast furnace heaped full, and another basketful of the said composition of ore is also put on top. Proceed in this way, continually adding charcoal and ore as long as you have any, or as long as you wish to keep up the work, maintaining the blast furnace always full, or continuing in this way until the bottom of the blast furnace is filled with melted materials. Decide this by judgment, or by seeing through the mouth of the tuyère where the wind of the bellows enters that they are level with this. Then with an iron tool open the hole that was left as an outlet in front of the blast furnace and allow all the metal with its slag to run out. These two things, flowing through the chan-

Jan 1, 1942

SINCE I told you in the preceding chapter how the potter's art is followed in practice, now in this following one I wish to tell you how mortar* and bricks are made, and how and to what purpose they were discovered, although I know you will answer that you know it, inasmuch as it is an art known not only to skillful men but also to the unskilled ones by whom it is practiced, and that bricks and mortar were made and always will be made for the purpose of building. This I admit, but probably everyone does not know it as you do, and you perhaps, do not know its beginnings, although I remember having told you of them. Wishing to repeat it better now I shall begin with long ago, so that both you and I may be better satisfied. Therefore I tell you that you should know that all the arts that men practice in the world have been learned by them either through the process of reasoning from the principles of natural phenomena, from the actions of animals, by chance, or when forced either by some necessity or

Jan 1, 1942

I HAVE already described to you many kinds of fusions and fires and still have many to describe if1 am to guide you, as I intend, among the operations of these processes. In all these, quantities of charcoal and various kinds of it must be handled continually and it therefore seems to me necessary to tell something about charcoal for aiding you in these processes. Without it artificers could scarcely bring their works to an end, because it is the food that nourishes the fire both for smelting and for softening the metals, or for calcining or drying things out. [61] It is a very powerful means and not only is its fire used for many more works than other fires, but it is also essential. Although there are many other things that make fire and would make it, I do not know of any that are better adapted for this purpose, or that can be more easily procured in large quantities, than wood and charcoal. For, as you can see, very great forests are found which make one think

Jan 1, 1942

SMELTING is a thing essential to the end for which ores are sought, for without it every ore is a useless stone. This art is especially needed by those who, drawn on by hope, have mined ores in large quantities with great expense and effort. For this reason it is worth while to use one's wits and, if ordinary ways should not suffice, to consider how to find new ways of smelting the ores in order to extract the metals and to purge them of their earthiness. For this reason I shall now tell you of blast and other furnaces, and I shall also tell you, in order that you may be warned, that whoever wishes to do this well must first look at the nature and quality of the ore. You will already have had enlightenment on this from the experiments on assaying and with this as guiding star it is necessary to make ingenious structures and to provide for-the other needs as necessary, for one ore requires iron and another lead. Since I have already spoken of these in their own places on their ores, it is not necessary at present that I repeat, but here I wish to speak only of copper ore as a companion of silver and gold, and of where art is most required and where difficulties chiefly appear. For these things a machine must be built that is convenient to a good water supply in order to continue the work more easily. Its wheels should be large and easily moved, constructed in such a way that the force of the water lifts the bellows that are placed at the tuyère to direct the blast inside the furnaces that are to smelt the ores. For this, attention must first be given to the site of the machine, the quantity of water, and its fall; then to the wood for building the machine and for making charcoal; then to the stones that are used for the blast furnaces; then to the provision of good bellows that are wide, long, and full in their sides and made of cloth, for the better these are, the more they quicken the power of the charcoal

Jan 1, 1942

LET us return and follow our first intention of discussing the art of melting. Since I have demonstrated to you how large works are made, you may have thought that the way to the small ones was also open to you, and you would not have been mistaken. But in order to avoid work and expense there are shorter and easier ways to be used, both because the things can be handled more easily and because it is not necessary to have so much regard for the forces of small materials. Therefore, wishing to make a distinction for you, I shall call this the small art of casting. Before speaking of this, I shall tell you of several methods of making powders for moulding. Then I shall also tell you of the methods of moulding in boxes and in frames, and how the said powders are to be prepared for casting either dry or green. Then I shall tell you some methods that are held as secret by the masters for handling the metals in melting and making them flow readily, so that you may easily fill the cavities of your moulds.

Jan 1, 1942

WHOEVER has occasion to judge tin in its whiteness from the testimony of his eyes alone would surely believe it to be purest silver, or something that comes very near to it in nature. This is even more so when, on handling, it is found to be harder than lead, to which it can be said to have a greater and closer resemblance. But whoever has actual experience with tin knows that none of the other metals is less similar to it than silver. For silver mixes with every metal, as does gold; and they unite together, and the others do likewise; and except for their color they change their natures but little. But this metal tin, wherever it is found, acts like a powerful poison which envenoms and corrupts the others; and it does this not only with large quantities but also with every small amount; indeed just the trace remaining where it has been melted is enough to embrittle silver and gold as well as iron and copper. The greater the quantity of it in these, the greater are its effects. Speculators of natural causes say that this fact arises from its great wateriness, which is very subtle and poorly decocted and almost like that of quicksilver. This wateriness, then, by means of its subtlety which joins itself with metals, imposes itself into that unctuous and viscous material which renders them flexible, and thus deprives them of their toughness

Jan 1, 1942

VITRIOL is likewise a mineral substance from whose exhalation, according to the opinion of some, are generated and produced the elemental materials or substances which produce metals, particularly gold. It is not a fumosity from metal nor is it a thing from which metal is extracted in any manner, although it shows in certain ways that it is not entirely without metal since it produces a certain trace of it. It is a thing that has a great resemblance to alum; it has a biting substance, is sharp to the taste and pungent to the tongue, and has an astringent nature. It dissolves in water and every damp place in a short time. They say that the reason for this lies, as with every other mineral, in its poorly joined watery substances. Nor does this mean that it does not contain much earthiness; on the contrary it seems to me that there are in it five. [2.9v] different participating qualities, that is, the property of sulphur, the action of alum, the corrosion of niter or of salt, and from the metals, the properties of copper and of iron. Its ore is mined in the valleys of mountains in wild but not too rugged places. It is more a gray earth or soft dead rock than a hard stone. It always has in it some yellow and green spots or near it is some sulphur mineral, either large or small.. When it is beneath the earth it exhales a sharp and very strong foul odor of scorching similar to that of sulphur. And the waters that rise where it is are all foul, earthy, and thick, some boiling with great fumes and others without great fumes, so that they surely appear to be infernal products in many places where there is a large quantity of it. After you have excavated and sorted well the quantity you wish, the ore must be put in a heap in open airy places before the vitriol can be extracted from this soil or ore, however you wish to call it. And it is left thus exposed to the weathering of the rains, the cold, and the sun for five or six months. It must be turned several times in order to bring to the surface that which was underneath; and always when this is done it is broken small with the eye of a mattock so that it is better heated and baked throughout. When it has been brought to this point it is covered over by a shed built above it or it is carried under a hut that has already been made. Here it is left to stand for another six or eight months before it is worked.

Jan 1, 1942

By D. S. Yantek, C. B. Brown

The mining industry is beginning to implement lithiumion batteries (LIBs) to power mine utility vehicles (MUVs) and rubber-tired mantrips (RTMs). However, the ability of LIBs to withstand the harsh conditions for these applications has not been rigorously evaluated. Concerns with the use of LIBs in the mining environment will be discussed including the effects of mechanical shock and vibration, temperature extremes, and moisture exposure. This paper will discuss adverse effects of the mining environment on LIBs and provide an overview of scientific gaps associated with the environmental susceptibility of LIBs used on MUVs and RTMs.

Feb 1, 2024