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THE task of the smith who works in iron is very laborious, indeed far more so than that of the coppersmith just described. For he also handles heavy weights continually, and stands constantly erect be- fore the fire of the forge, since the hardness of the iron cannot be softened except by means of heating and boiling it well. In this place he continually moves his body, now thrusting the iron into the heart of the fire with large thick tongs, now removing it to look at it and to put sand, tuff, or other earth over it, now putting on fresh charcoal, now moistening and slowing down the fire, and now cleaning it. Finally, while the iron is hot

Jan 1, 1942

BEFORE I go any farther, I wish to show you the different kinds of guns, as I have been able to understand them from the finished works, for no one is found to have written or spoken of this. To my knowledge, it is not universally known who was the inventor of this horrible and fearful instrument. It is believed that it came from. Germany, discovered by chance at least three hundred years ago, according to Cornazzano, * from a crude and small beginning like the printing of letters. I believe, .indeed it seems to me certain, that guns evolved from the effect of powder, and then the forms were varied and changed according to the desires and different abilities of those who made or wished to use them. †

Jan 1, 1942

IT may perhaps seem to you that I have deviated from sequence by having entered into the narration of this arrangement of the bellows, but, although they are not furnaces or vessels for containing the melts, they are essential agents for bringing to port the bark of your labors. Returning to our regular pathway, and supposing that, besides making the moulds, you have melted and cast not only statues and bells but also guns, it is true that a certain procedure is required in order to finish them. For this you should have the moulds full, and they should have come out very well, for in truth reason does not allow that they turn out otherwise for one who uses precaution. [II2V] Then you have taken your casting from the pit and have freed it of clay. Since I have told you nothing beyond this, do not be dismayed if you see the castings so rough and in a form that scarcely shows what they really are, for I wish to open up part of the way into the great labor of finishing them so that it may seem to you that you have been somewhat helped by me. Therefore, when it is a gun, first see that the iron spindle that has been placed in the middle of the core is taken out. You can do this easily by striking the heel of the core, especially if the spindle had first been covered with ashes, hemp, or a little rope. Then saw off the feeding head above the mouth, using either a dun steel saw with tiny straight teeth that has been tempered with oil or some other fat, or a hay sickle whose edge is gently hit by a little hammer. Then have the clay that is attached to the curls or other bronze parts lifted away with a chisel. Then with a scouring brush and water uncover the emblems, coats of arms, borders, and cornices that you made as ornaments. Striking it with a hammer, push inwards every superfluous bit of bronze. Finally, having cleaned the bronze by washing, scraping, and cutting away every bit of clay, strike its surfaces gently with a large hammer and thus make it very smooth. Likewise finish the mouth and all its cornices as exactly and completely as possible with files and any other instrument that serves best. Then take a long, powerful tool that has some steel on the point, made like a chisel and somewhat bent, or with three points like the iron blade

Jan 1, 1942

I AM sure, that you understand that of all the things created by the most high God Himself or by Nature at His command, not one-even though it be an atom or the smallest worm-has been produced without some particular gift. And if we do not always discern this in every thing, the cause lies in our defective vision, in our little knowledge, and in our lack of careful thought concerning the necessity of seeking hidden things. Certainly those things that have such inner powers, like herbs, fruits, roots, animals, precious stones, metals, or other stones, can be understood only through oft-repeated experience. [37] Others do not need so much knowledge and belief for their, powers are obvious and shown to us at all times by their effects. They reveal themselves to us through the sense of sight by their splendor and variety of colors, through the sense of smell by their odors, through the sense of hearing by the melody of the harmonious or unpleasantly discordant repercussions. of the air. They likewise manifest themselves by. their softness or harshness. As you see, all those things, according to. their limits, are conveyed .by the ordinary senses to the mind, by whose distinctions all their species, both harmful and beneficial, are discerned. Then they are reviewed by the judgment in all their degrees of perfection and imperfection, so that whoever seeks them with careful study or with experience often finds them. Now, in order to shorten this discourse, since I wished to speak to you of lodestone and its properties, I tell you that it is one of those things that show their apparent effects to our sight by a particular virtue hidden in such a way that its cause, as far as I know, has never been known to the very wise natural speculators who have spoken on every other subject. Thus one who considers its actions carefully must surely marvel, for it appears that Nature has put into this stone a certain spirit of vivacity, so that it seems to have-I would like to say-hands, although they are not seen. For I see that it not only attracts iron but also takes hold of it and keeps it attached to itself. This action is certainly great enough to bear certain witness to the virtues possessed by other created things that do not manifest their powers to the external senses. In order not to prolong this discussion, I tell you the following. This stone is found in various places and of different colors and properties. The

Jan 1, 1942

MANY kinds of marcasite* are found since every metallic mineral, and perhaps some of the semiminerals, produces its own. I believe that [28v] rnarcasites are nothing other than the secondary materials and the menses of the conception of metals which, through insufficient time, have yet to arrive at their perfect age; and thus, because of

Jan 1, 1942

AS you have been able to observe, I have up to the present demonstrated as, well as I knew how in writing the art of casting- and the methods of making moulds and of baking them; then the arrangements of the furnaces for melting the materials, including those made for melting by reverberation of flames or with bellows and charcoal, and the hearth, basket, ladle, and other similar instruments customary in such operations. Now I wish to show you how to bring to their conclusion the works for which these instruments are made, and show

Jan 1, 1942

HAVING told you about steel in the previous chapter, it seems to me necessary to speak here of brass for the same reason, for it bears the same relation to copper that steel does to iron. It is the opinion of some concerning both of these that they are true minerals because Pliny in his Natural History calls it aurichalcum and says that it has its own ore; he does not say, however, where it is found, and I have not heard from anyone else that it has been found anywhere, and, surely, if it had been found when he wrote, it would also be found today. Since I have no knowledge other than that gained through my own eyes, I tell you as a certainty that just as steel is iron converted by art into almost another kind of metal, so also brass is copper given a yellow color by art. Surely it was a splendid discovery, for which we must praise the alchemists,* although perhaps whoever discovered it was deceived, thinking that he had made gold from copper. Now, in short, this work requires infinite labor, and is carried out in various places, for instance, in Flanders, Cologne, Paris, and in many other countries, and also in the city of Milan in Italy, where I have seen a

Jan 1, 1942

ALTHOUGH it might seem more fitting to discuss this subject in the Ninth Book in connection with the smelting of iron where I had thought to treat of it in detail, this process of making steel appears to be almost a branch of the above chapter on iron itself; hence I did not wish to separate these two so far that they might seem to be [18v] different things. Therefore I wish to write of it here and to tell you that steel is nothing other than iron, well purified by means of art and given a more perfect elemental mixture and quality by the great decoction of the fire than it had before. By the attraction of some suitable substances in the things that are added to it, its natural dryness is mollified by a certain amount of moisture and it becomes whiter and more dense so that it seems almost to have been removed from its original nature. Finally, when its pores have been well dilated and softened by the strong fire and the heat has been driven out of them by the violence of the coldness of the

Jan 1, 1942

THE assay of all metal ores is made by means of fusion and they are brought to their fineness in the same way as if they were a large quantity. However, I have told you of lead, tin, copper, and iron in their own places, that they are smelted in order to obtain a good assay so that one may know from its weight whether the quantity justifies the expense. This is their assay, for it does not matter whether it be done with great exactness. But the eye is turned with much more care to the assaying of silver and gold, since they are things of value, and one tries to have a more exact knowledge of them. Thus, when you have found the mountain and the vein of ore in it, and have also uncovered it or extracted it from the mine, it is necessary to make an assay of it, for though it is often apparent to the experts what kind of metal it contains, nevertheless they do not know for sure what virtues or evilness it may have unless the light of the assay itself shows them. Therefore it is necessary to extract a quantity in some way that is as free from rock and as good as possible. To a part of this, without any addition, a smelting fire must be applied in order to see whether it can be smelted easily. If it does not smelt by itself, you must consider and try to understand what causes this, for many times it comes from the rock which accompanies it and which contains much dryness and earthiness. I do not believe that one can know this with other judgment than by experiment with powerful and strong fires. Therefore, if the efforts of ordinary methods do not succeed, it is necessary to try to soften them by means of the company of fusible things-now with marble, now with ground glass, now with lead, galena,* or litharge from lead, or with iron scale, or else with the slag of other ores. With small operations even borax, saltpeter, or ochre is used and similar things, as I shall tell you in detail in the discussion of the preparation of ores for smelting. In short, try to see whether they can be overcome by adjustment of the fires or by virtue of the means

Jan 1, 1942

IN addition to the gold and silver that b drawn, a certain kind is also prepared that is called spun; not that it is spun as the word says, but because a linen thread is covered with it so that it seems a spun thing, and it is called spun silver or gold. To make this, a desired quantity of fine cupeled silver is taken-the batch used is customarily [I4I] fifteen pounds. A square bar is made with this, a braccio or more long. Then the quantity of gold that you wish to put on is taken, that is, a ducat for every pound, and of this another bar is made, sufficiently thin, long, and wide exactly to cover on one side the

Jan 1, 1942

ALL the ores of any kind whatsoever, even though they be semiminerals and may be perfect in their qualities, have to be recognized by experienced and good sorters. These men must have a detailed as well as a general experience of the metals so that in this first preparation, which is most important, they may know how to distinguish the good from the bad, and to know what is rock and what is ore. They must use patience in this, breaking and cutting and king the ore from the earth. They must separate the good ore from the bad, avoiding as far as possible every occasion for poisoning it by traces of other ores, evil stones, or other things inimical to its nature. Finally, with the judgment of the eye and with tools, and, in the end, by roasting it with fire and then quenching it with water, or by washing and re-washing it, the ore must be made as pure as possible in order to join it better with the companions that seem to be the most beneficial for its needs. Ores would be useless stones without smelting. Therefore, when it is certain that such ores are of divers elemental mixtures, aid must be given to each one according to the evil ingredients [47v] that harm it. But because such evil qualities are things that are often not apparent to the eye, such as too great a burning, or too much earthiness so that when they are alone the fire burns these ores before it melts them, it is necessary to temper them with other materials. To do this it is necessary to have the ability

Jan 1, 1942

ALTHOUGH I have already described to you the procedure for making assays of the ores (a thing that is not very different from what I wish to describe in the present chapter), I shall repeat it in substance, with the addition of the method of assaying gold, in order to tell you certain rules for weights which are very necessary to know, and above all in order to demonstrate to you the method of refining a small quantity of silver by the use of a cupel, and in order to tell you how there are (I find) only two ways that are customary for bringing silver to fineness. One is that of the cupel [copella] and the other is that of the cupeling hearth [cenneraccio], one for a small and the other for a large quantity. But although they are called by two names and appear to be two methods, the aim and the procedure of both is actually the same. Nor do I know of other difference between them than the carrying out of the method and the large or small quantity. Cupeling is a very useful thing for anyone who handles gold or silver to know. Indeed it is necessary, because it not only throws light on the work that is to be done but it also shows the truth [55] and the correct weights in large quantities. It is a quicker and easier way of bringing the work to the desired perfection than is afforded by the method for large quantities. Therefore, as you have heard, it is used in making assays in order to know exactly what quantity of the substance of silver or gold is in copper and lead or in ores, as well as in that melted material which remains among the charcoal and ashes. In short, it is the measure by which you have the certainty and safety of knowing that you have not been deceived by art or by your workmen, who had no other interest than their simple wages. Many workmen are found who are so untrustworthy that they no sooner get control of a thing than they think up some fraud, and even though some know that they must give an accounting they do not restrain themselves, although sometimes they would perhaps act with greater security and more deception than they do if they did not fear detection. For, truly, since silver is a valuable thing and every bit is worth much, a man should not enter into refining it with closed eyes. If for no other reason this pro-

Jan 1, 1942

IT is not very necessary for those who work ores to return the litharge to lead, because they use litharge in place of lead ore and they use it the more willingly when it still contains some trace of silver. For the cupeling hearth can never be so well made or so cleanly operated that some little bit of silver does not remain in it, and some particle of it is also necessary by its very nature. But for one who has to use very much lead at one time, like someone who smelts sweepings or cements, or for someone who wishes to bring his operations to a conclusion and withdraw his investment, it is possible to have the lead again. In order to do this, the litharge is taken and ground. Cupeling hearths are washed in addition to being ground. Then these powders are made into a paste by wetting them with salt water, and they are made into large

Jan 1, 1942

IT is not necessary to enter into a long discussion of ordinary bells, because every master carpenter or blacksmith knows how to make those levers with a crossbar that are called storks. This is nothing other than a board that has a thick and heavy head and looks more like a dolphin than a bird. This has a long tail in the form of a handle so that it makes a more powerful lever. As can be seen in every bell tower and other place where there are bells, it has, crosswise above the point where the cannon of the bell is fitted and fastened in, an iron bar which is arched and which has its two ends turned horizontally. These are made round so that they may turn easily when they are held by two steel rings or in two metal grooves or on glass pillows. In this, the more the transverse rod is arched,

Jan 1, 1942

JUST as I have taught you to refine silver in a small way and to make assays, so now I wish to teach you how to make cupeling hearths in place of these little cupels when you have silver in large quantities. This is done in four ways, as I have seen, but all are alike in the end and differ very little one from the other. There are some who make use of a furnace with a vault built with bricks above the cupeling hearth. There are some others who use in place of this an iron hood like a large cover. There are some others who use only heavy dry sticks of oak or some other thick wood. Others have certain long plates of terra cotta that cover the whole hearth in three or four pieces; the two of these that adjoin have [56] a hole in the middle that leads exactly into the middle of the cupeling hearth, and through this they put in the material and the lead, according to the practice I shall describe.

Jan 1, 1942

YOU must know, my Messer Bernardino, that all things in this world made by art or produced by Nature are made only for their own specific purpose. If there should be any that perchance should fail therein, they would be useless and imperfect, and those are in a state of imperfection that should have it and have not yet arrived at it. Thus, in short, when you have dug out the ore with so much labor and extracted the metals, when you have made from copper (in addition to other works) guns that are ready for military service and have then put them on

Jan 1, 1942

AS I told you in the chapter on salts, saltpeter is a mixture composed of many substances extracted with fire- and water from arid and manurial soils, from that growth which exudes from new walls or from that loosened soil that is found in tombs or uninhabited caves where the rain cannot enter. It is my belief that it is engendered in these soils from an airy moisture that is drunk in and absorbed by the earthy dryness. Considering its effects, I do not know how to decide and say exactly what the nature of saltpeter is. The learned and very wise physicians find it salty and with a subtle sharpness both in taste and in their medical experiments. Considering its strong biting qualities, they decide to say that it is of a hot and dry nature; on the other hand when they see that it is engendered from the air and that when touched by fire it becomes inflammable and vaporous, and rises with a fearful impetus when mixed in powder for military guns, it manifestly shows itself to be of a hot and moist airy nature. And then when they see that it is shining and transparent with whiteness and is fusible in every fire in a manner corresponding to a thing of a watery nature, and since it. is heavy, it seems that it can be said to be watery in nature. To this is added the experience of touch and of the great cooling action which it has on water in summertime when wine is to be cooled, and since it crushes and breaks with but little pressure, it might be thought to be earthy in nature; especially when it is seen to change into a hard, white stone when burned with an equal amount of sulphur. Thus it seems that every one of the elemental qualities is predominant in it. Now the ancients called this, or a similar thing, nitrum. [150] Pliny, in Book XXXI of his Natural History, has said that it was a thing not much different from salt, that doctors do not seem to have yet known its nature, that it is found in various places, and that the best is found in Macedonia. But among the moderns and especially in our regions, it is not known today what it is that Pliny and other writers refer -to, since according to the aforesaid Pliny and other ancient writers it is a natural mineral. Some say that in place of, the natural kind the artificial will serve for the same medicinal purposes, since it has the same nature and is perhaps more powerful.

Jan 1, 1942

SMALL things are customarily moulded in two ways (unless they have undercut parts which hold them in the moulds); that is in clay, or with natural or which artificial earthern powder made in halves in either wooden boxes or bronze frames. This also depends on whether the object is larger or smaller. Now if you wish to mould with moist clay, you must grease your relief with oil or pig fat; apply a dusting of charcoal, ashes, or cuttlebone on it; or gild or silver it dry with gold, silver, or tin foil. Then, first make with moist and somewhat firm clay a plate as, thick and large as can conveniently hold your relief, and carefully set the latter halfway into this and let it dry. Then, greasing or dusting it again, make the other half. When both are well dried, take out your relief and at the top make its gates and vents. If plastering is needed, do it. Finally, bake the halves, fit them together, and tie them well, as you wish, using the procedure that I taught you in the discussion of brass. But if one has to make a large quantity of works of one kind, he should for the sake of convenience use the method with powder [120] because it is short and requires less time and expense. Therefore if you wish to do this, you need to have several pairs of bronze frames or wooden boxes, higher than half the relief that you wish to mould, and of convenient length. On a flat board always keep half of one of these frames full of powder that has been slightly moistened for moulding, as I told you, so that by pressing with the ends of the fingers and with the hand it holds together as well as possible. Level it off with a cutting tool and when leveled put a flat board over it and turn it over. Turn it on to a dusting of ashes so that it will not stick, dust it on the other side, and remove the excess by blowing it off Then mould the thing that you wish to mould, pressing it halfway in once or twice, always taking it out and putting it back again. Then the other frame is fitted in its place and filled with earth by pressing and squeezing it carefully. Then it is leveled off on the outside with a sharp tool as you did with the other part, and then one of the parts of the frames is lifted up with the point of a knife or some other tool and,

Jan 1, 1942

BECAUSE gold is a compound mineral praised by philosophers and all wise men as being of the highest perfection among all mixed minerals, and because of its great beauty, it is the universal opinion that it possesses extraordinary powers which are beneficial to man. For this reason it is the thing esteemed most highly in this world, after living creatures. Hence, I, too, in order to honor it, wish to begin by speaking of it now rather than of any of the other metals, and I wish in particular to tell you of its generation and of its most obvious qualities, for, although it is a metal very widely known and one that is desired and sought after by all kinds of persons, I know of few who take the trouble to find out what its substance or natural form may be. But, in order that you too may not be one of those who know it only by name or by the appearance that it shows outwardly to us, I tell you that its original and peculiar materials are none other than elemental sub¬stances, with the quantity and quality of each proportioned equally one to the other and very finely purified. From this union of elements which are of equal force there is born a pleasing and perfect elemental mixture,* and then after fermentation and decoction the elements finally become

Jan 1, 1942

I SHALL proceed in this chapter to tell you about lead. Because this metal is overabundant in wateriness, and also because it has its other substances in poor elemental mixture, it is highly impure. It is called an imperfect, leprous, and little-fixed metal, which it clearly shows itself to be because of the ease of liquefying it and because it is easily converted largely into a dross that is almost earthy and also because of the stain that it leaves when it rubs against anything. Nevertheless, when we consider its effects, we judge it to be a metal that we are greatly indebted to. Even though Nature in creating us has put into our souls such a thirst and desire

Jan 1, 1942